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Papers On Poetry
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T.S. Eliot's 'The Waste Land' vs. H.D.'s 'The Walls Do Not Fall' / Comparison of Spiritual Quest
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A 9 page comparison of the spiritual quest in H.D.'s The Walls Do Not Fall and T.S. Eliot's The Waste Land. The writer argues that H.D. succeeds in re-visioning an internal spirituality in terms of a personal quest, while Eliot does not succeed in this effort because of his reliance on dogma and externalities. Bibliography lists 7 sources.
Filename: Hdts.wps
T.S. Eliot: Four Quartets
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5 pages in length. T.S. Eliot's Four Quartets symbolizes a great many things to do with what exists in the here and now, as well as what lives within the concepts of religious mysticism. Indeed, it reflects some of the most compelling of all written representations in literary history. The writer discusses the meaning and how the Four Quartets relate to one another. Bibliography lists 5 sources.
Filename: Eliot5.wps
Walcott and Eliot: The Role of Tradition
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A 5 page paper examining the role of tradition versus innovation in various works by T.S. Eliot and Derek Walcott. Works mentioned are Eliot’s “Tradition and the Individual Talent” and 'The Waste Land,' as well as Walcott’s “A Far Cry from Africa,” “Names (for Edward Braithwaite),” “Omeros,” “A Sea Chantey,” and “The Castaway.” No additional sources except poems and the essay.
Filename: KBwalcot.wps
Seamus Heaney's 'Mid-Term Break' and J. D. Salinger's 'Catcher in the Rye' / Stopping for Death
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A 5 page paper comparing the boy protagonists of Seamus Heaney's poem 'Mid-Term Break' and J.D. Salinger's novel Catcher in the Rye. Both boys have suffered the death of a younger brother, and both works show their youthful protagonists coming to terms with their grief. Bibliography lists 3 sources.
Filename: Heansal.wps
Sylvia Plath/ The Bell Jar
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A 5 page analysis of Sylvia Plath's novel The Bell Jar, which compares the female protagonist's coming of age story with that of J.D. Salinger's misfit hero, Holden Caulfield. No additional sources cited.
Filename: 99beljar.rtf
Imagery : “The Wanderer” and “The Song of Roland”
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A 5 page paper which
examines the use of imagery in the works titled “The Wanderer” and “The Song of
Roland.” Each of these works illustrates a different use of imagery. Where “The
Wanderer” gives the reader many easily depicted illustrations of imagery, “The Song of
Roland” and its use of imagery are much more subtle and evasive. The imagery examined
includes sight, smell, taste, touch, sense, and hearing. Bibliography lists no additional
cites.
Filename: RAwander.wps
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